The work of Portishead co-founder Geoff Barrow, this scabrous if slight debut feature turns a sceptical eye on the ecstasy-fueled club scene. Venal pillhead David (Marc Bessant) initially steals from an unconscious dealer, then in another flashback tries to break into his own parents. In no time, he's overturned in the remains of his car in a woodland – and subject to the angry eye of the Poacher (vocalist Jason Williamson). Declining to free David, with impatience toward townies, he is a fractured society personified: “You’re one of those loud individuals from up on the heath.”
A Shaky Start and Darkly Funny Confrontation
Game gets off to a shaky start, spending too long on pedantically chronicling David’s attempt to extricate himself from his seatbelt, while clumsily segueing into flashbacks of his everyday life. The central theme – that the rave-era youth were mainly focused on themselves – is clearly conveyed. But these vignettes are too thin to properly prime us for what to expect when the Woodsman arrives, enraged after David kills his dog. Nevertheless, a grimly amusing duel unfolds – David eager to get away; the Woodsman denying his container of cider, determined to dousing him instead in resentful talk. Williamson, exuding ponderous menace in the role, is evocative of Michael Smiley.
Stylish Imagery and Promo-Inspired Vibe
There is only one important plot development, but it results in a comically executed rampage on the woodland paths that veers toward rural terror. Filmmaker John Minton finally gets to go all in with his showy imagery: where he was focused intently doing impressionistic closeups of insects in the light in the opening part, he now lets rip with the full psychedelic 21-gun salute, accompanied by a wild organ version of Ravel’s Boléro. The movie resembles an elongated music video than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into successfully graduating from the Brit music promo scene.
Game is in British and Irish cinemas from 17 November.
